Rose Freymuth-Frazier was born and raised in Nevada City, California - a small gold rush town in the foothills of the Sierra Nevada Mountains. 

She attended Interlochen Arts Academy, a private boarding arts high school in northern Michigan. Upon graduation she was awarded a scholarship to study theatre at the American Musical and Dramatic Academy in New York City. After completing her training, and a couple of years spent in Hollywood, (which included a stint on a campy, nighttime teen soap opera), Rose turned her attention to her other interest - figurative oil painting. 

Seeking rigorous, technical training that most schools could not offer she returned to New York City and studied for two years at the Art Students League. After taking a master class at the New York Academy of Art with Steven Assael, she continued her studies in a tradition common to painters of the past, through full-time apprenticeship. Her first apprenticeship was for two years under Assael in his New York City studio and her second was with Odd Nerdrum in Norway, at his farm and studio on the North Sea.

References from a broad swath of art history can be found in Freymuth-Frazier’s solitary subjects. Influences range from Balthus’s discomforting depictions of preadolescence, and the queen of Kitsch, Margaret Keane’s “Big Eyed” children and animals, to the heavy chiaroscuro and technical rigor of Caravaggio and Rembrandt. This unique combination of classicism and pulp results in something of a hybrid between Lowbrow esthetic and Old Master technique.

Inspiration is drawn from the intimacy of friends and family and her Persian cat, to the detachment of pinup and soft porn, stock photography and advertisements. Using a complex language of symbolism like that found in medieval religious icons or the Unicorn Tapestries, the paintings address universal themes such as female sexuality, loss of innocence, consumerism, domestication, gender roles, androgyny and body image in American society today.

Freymuth-Frazier’s work has been exhibited internationally with galleries in Barcelona, Sydney, Amsterdam, Berlin and across the United States from New York City and Chicago to Seattle and Los Angeles. Her work can be found in private collections internationally, including The Bennett Collection of Women Realist, Collection of Gillian Flynn, Collection of Milane Duncan Frantz and the Collection of Michele Peterson. She has received attention and reviews from numerous publications including Playboy Magazine, Ms. Magazine, ArtNews, Hi-Fructose Magazine, Beautiful Bizarre Magazine, The Chicago Tribune, Art Papers, American Artist Magazine, and The Huffington Post.

She lives and paints in New York City.

Using Format